Originally commissioned by Sally Ann McIntire for the Radia network. As well as a collection of readings, anthropop speech exercises, travel diary entries and generative speech-to text experiments spanning the last 8 years. Composed of archival tape recordings, documenting meetings held by members of my mother’s Homeland nature community (1978). Eschewing the use of Elevated language as a path to higher development, in favour of the vernacular, misheard, mimicked, muddled, profane and poorly translated. Samaan Fieck – FAMILY TAPE 4.12.78 SUB MASTER / I Am No Lung No,Īn exploration and subversion of the Anthroposophical notion of Right Speech.Recently a Visiting Assistant Professor of Electronic Music at Brown University, Warren holds a PhD in Composition & Computer Technologies from the University of Virginia. She runs a Patreon channel focused on sound art and listening, where she releases completed work, process documentation, and prompts and jam sessions for followers to make sound. Warren unites acoustic, analog, and digital sounds and techniques to explore human-instrument relationships, noise, and rest. Kristina Warren is a sound artist based in Providence, Rhode Island, USA. For the artist, Kristina Warren, uniting all the sounds in this piece represented creative freedom and exploration. Some of the natural sounds and birdsong were recorded at the Barrington Skate Park in Rhode Island, USA, hence the title Skatebirds. It weaves together a wide variety of sounds, including analog synthesized sounds from ARP 2500 and Joranalogue Filter-8, as well as recorded foley-type sounds from pistachio shells, PVC pipe, metal mixing bowl and bench scraper, and more. Skatebirds is an experimental soundscape that traverses various sonic terrains both musical and abstract. The interest in working with sound to delve into these themes has grown through SUBTERRA, a collaborative project navigating speculative narratives of the chthonic (of relating to or inhabiting the underworld) through text, poetry and music. It is a chthonic speculative feminism: something dark, strange, and curious that operates from both wonder and grief, melancholy and comfort. This piece is a mix of found, recorded, and created noise and ambience, layered and merged into a speculative journey through underground caverns, a narrative set outside time.Īstrid Björklund is an artist based in Glasgow who explores how speculative fictions can transform and merge with the mythical elements of our realities to create new mythologies.
The subterranean landscape is in this narrative a place of grief, anger, and fear caused by the uncertainties of our era, but it is also a place of comfort and refuge.
The stories of soil, rotting wood, blood and bone is uncomfortable, it crawls beneath us and within us, oozing out of soil and skin. At the end of the broadcast week, media artists Markus Westphal and Konrad Behr played the present collaborative sound improvisation based on the submitted recordings and other sounds.Īnne Wahl & Marc Schmidt (Liebherr CNel 4213 Indes 21E / 001, Dresden), echofreak (Refrigerator with kitchen cuckoo clock, fan wheel wet wood preservation of the State Office for Archaeology Dresden), Konrad Behr (Freezer exquisit, Weimar), Laura-Dang (Techwood-KS9121, Weimar), Rajko Aust (unknown device, Dresden), Grit Ruhland (2 x unknown devices, Dresden & Berlin), Margarethe Maierhofer-Lischka (unknown device, Graz), Marco Schröder (unknown device, Berlin), Markus Westphal (unknown device, Weimar), Aanna Schimkat (Liebherr, Leipzig), Annalena Stabauer (unknown device, Vienna), Ina Weise (Accordeon, Weimar) For the night broadcasts during the project week, media artist Konrad Behr invited artist friends to make audio recordings of various refrigerators at night time.
#Scully dubplate machine series
What do you think they were dreaming about? The Show was a broadcast series during the “Corona” special program SHIFT FM of the experimental radio bauhaus.fm at the Bauhaus University in Weimar. In times of domestic quarantine, our refrigerators were fuller than ever.
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